Saturday, December 16, 2006

XXXVI. ARMCHAIR THRILLER : 'QUIET AS A NUN' (1978 ITV)


Armchair Thriller replaced Armchair Theatre, and this time went heavier on memorable chills than standard thriller fayre.

The series premiered in 1978 and lasted until 1980. Its ratings were phenomenal and peaked at approximately 11 million and still were delivering the goods until it’s sudden vanish from the schedules.

With the first season receiving praise from the critics and public alike a second series was soon to follow. This was a little weaker but did feature some decent outings, Ian Mckellens' terrifically tortured performance in ‘Dying Day’, springs immediately to mind.

One tale has stood the test of time and still is chillingly recalled despite the series never being repeated or available on video or DVD format.

Quiet as a Nun was written by Antonia Fraser and was first published in 1977. The story was the first to feature the character of Jemima Shore, daytime chat show host and sleuth by night.

Julia Jones translated the book to the small screen with great accomplishment and eventually Thames began producing the 6 part story for its’ Armchair Thriller umbrella show.

The sophisticated, attractive ‘Maria Aitken’ took on the role of Jemima Shore and the supporting cast were chosen with much care based on acting ability and conviction by the seem of things. The actresses involved really bring the characters off of the page and each seems to have at least one scene stealing performance.

Pug Faced Patsy Kensit appears as Tessa and is surprisingly effective in performance despite her juvenile age. The wonderfully eccentric Sylvia Coleridge appears as Sister Boniface, two years before she appeared as an eccentric botanist in the classic ‘Seeds of Doom’ Doctor Who story.

Another ‘Who’ before, is Susan Engel playing a superb and eerie Sister Agnes, she featured in Bakers’ story ‘The Stones of Blood’ in 1978. In both roles she excels in characterisation uniting sexy and menacing all at the same time, excellent stuff. Brenda Bruce and Renee Asherson finish off the high quality cast. Anyone I haven’t mentioned is also bloody good by the way.

The story concerns the tragic events surrounding the convent of the blessed Eleanor. In the convent ground there dominates the ruined and ephemeral ‘Ivory Tower’.

In the Tower a nun is found, starved to death.

Jemima Shore reads of this in the newspaper and is perturbed; as the body was that of an old school friend. She also knows that her friend was heiress to a tremendous fortune.

Prompted by a letter of invitation to the Convent by her alma mater and friend Sister Ancilla she decides to go back to her old school in the hope of trying to find more information about the mysterious death.

Jemima is dining with the schoolgirls where she hears some alarming news. It seems, according to one child that before a death occurs the Black Nun can be seen wandering the grounds. The girls add that the spectre is evil and malevolent and heralds death. A child ‘Tessa’ confirms she has seen the apparition recently.

Jemima Shore dismisses the story as fantasy of the childish mind. As Jemima retires for the evening she receives a note from an anonymous person saying that the Black Nun will appear that evening at the Ivory Tower.

Fuelled by inquisitiveness and of a journalistic nature, Jemima pilgrimages to the tower in the dead of night and the viewer gets the shit scared out of them for it’s here Jemima discovers something rather nasty that attacks her viciously……

What begins as a routine thriller excels into gothic horror. The direction is brilliant at conveying the ephemeral, silent corridors are explored, cobwebs cloud and at any moment you expect to see something manifesting; it would not look out of place in the slightest.

The music is another triumph too and fits well with the musty dwellings and unfolding skulduggery, such combinations make this compelling viewing. The only slight let down is that after the climax at the end of episode 3 everything else seems a slight anti-climax but the quality never falters and neither does the stories capability of captivation.

In a recent trash TV poll programme entitled ‘100 Scariest T.V Moments’, this climax made an entry at number 65. I think this is quite a feat as thee programme hasn’t been media saturated like other alleged ‘spine chillers’.

The clip was also played with another demonstrating the opening credits. They too are most unnerving. An animated sequence shows an empty white chair, spotlighted. A shadow makes its way to the seat, it settles, grips the arms with clawed hands then the camera plunges into the darkness of the shadows head, paving way to something icier than your average thriller.

Another worthy of note is the different Thames Television ident that was used right at the beginning of the programme. Instead of the bright blue London landmark icon we get a darker, ‘evening’ version of the same scene spookily illuminated by a moon peering from a midwinter cloud and small lights from some of the silhouetted buildings.

This show could have been easily mistaken for a horror anthology at the time if the teasers and credits were anything to go by. In one trailer the chair is soaked in blood as a screaming, maniacal face sweeps by before a graveyard voiced announcer declared the evenings glimpse of events.

Such teasers must have had the audiences coming back in droves. The cliff-hanger endings also were an added bonus.

The series was shown in the 8.30 p.m slot, twice weekly and just about pushes the boundaries of pre watershed ‘family’ orientated drama and because of this brave attempt turned successful, gave a legion of children sleepless nights.

Despite this being a real treat and all episodes existing in their entirety it has never been repeated on the network since its original air date.

DVD-R grey releases are available and are surprisingly decent prints, they will have to suffice until someone sees the sense of a box set release or a digital channel repeat but I would think will never be shown, due to its lack of tits, explosions and CGI.

The players;


* Maria Aitken (Jemima Shore)

* Renée Asherson (Mother Ancilla)

* Brenda Bruce (Sister Elizabeth)

* David Burke (Tony Amyas, MP)

* James Laurenson (Alexander Sharbeck)

* Doran Goodwin (Sister Lucy)

* Margaret D'arcy (Sister Clare)

* Kate Binchy (Sister Edward)

* Linda Slater (Dodo)

* Sarah Webb (Margaret)

* Michelle Winstanley (Blanche)

* Patsy Kensit (Tessa)

* Catrina Hylton (Mandy)

* Mary Healey (Beatrice O'Dowd)

* James Appleby (Joe)

* Susan Engel (Sister Agnes)

* Sylvia Coleridge (Sister Boniface)


Directed by Moira Armstrong / Writing credits; Antonia Fraser (novel), Julia Jones & Philip Mackie (Television Adaptation)

Produced by Jacqueline Davis

Original Music by Andy Mackay & Roger Webb

Robert Banks Stewart ; Script Editor & Story Editor

Part One

Broadcast; 11th April 1978

Part Two

Broadcast 13th April 1978

Part Three

Broadcast 18th April 1978

Part Four

Broadcast 20th April 1978

Part Five

Broadcast 25th April 1978

Part Six

Broadcast 27th April 1978

Sunday, December 10, 2006

INTERMISSION AT THE FRINGE FANTASY FILM SHOW

Hi,

Just to let you readers know I am taking a well deserved break from the site and as I can’t fucking stand Christmas, it’s pretence, it’s vulgarity, it’s mass appeal, it’s influence on the great unwashed causing competitiveness, debt and overall misery – it will provide me with time to review more for my site.

I celebrate Yule anyway so whether Christian mythology is celebrated is of no consequence either.

So far I have some cool treats for us waiting to be reviewed, ‘The Owl Service’, ‘Quiet as a Nun’, ‘Kolchak-The Night Stalker’, ‘Into the Labyrinth’; will all guest appear over the coming Yule period.

Don’t fret mucky pups, as in between such articles there will be our look at a fare share of sleaze, which will feature such unsavoury and controversial delights as ‘Cockfighter’, ‘Red Nights of the Gestapo’ and I think a couple of Hardcore porn classic reviews could join this blogs beating heart.

Most important of all I have had some lovely feedback for my Doomwatch retrospectives and other articles from those people who inspire me to share my thoughts and knowledge.

Thank you.

Feedback and constructive comment means so much and really makes the site what it is. There is always room for improvement and memories to share.

Is it easy writing/creating articles for this blog? I would say enjoyable – yes, easy - no.

The main ‘restriction’ is that of time. First is choice of programme or film and reliable research references, second is writing the rough, thirdly there is the word ‘tart-up’ and consequent re-reads (time permitting), fourthly image choice and screen captures, fifthly image re-touch, six word and grammar check (sometimes when I get carried away – forgive the grammar – some articles I will definitely ‘make over’ grammatically in the future), seventh the article layout, eighth and a final proof reading for errors, ninth is the time for one last check, tenth – publish the bugger! This is based on an ideal world scenario and excludes things like job, social interaction, family and friend time and your own ‘personal space time’.

This also excludes inserting of tables, font changes, research of article, programme re-visits, trivia checks, goof observation etc, etc. So I hope that explains why sometimes it can take anything up to 3 days to create one article.

I try to be as a quick as I can be allowing the reader at least one article per week.

If I can be quicker I will be. I want to demonstrate interest within the word accompaniment and visually the same quality.

These do take time. I also feel there are too many ’12 bore reviews’ that ‘lumps’ everything in together reducing respect for the programme or film under review and then blasts away at the reader bombarding we with brief FAQ’s of mild relevance; sadly this is void of any ‘spirit’. Don’t really want to go down that road.

So expect something real soon over the Yule period or just after…………

Happy Solstice/Yule 2006, Readers of The Fringe Fantasy Film Show !

Meet some of the team……….

This is my dog Laurence Niblick who loves food, Tea, walks in the woods, Patrick Troughtons’ Doctor Who stories and Classic FM. He was 3 on the 5th December he is sub editor of the reviews.


This is my African grey Charlie, he is known more popularly by his pseudonym ‘Monsieur le Beak’ he loves kit-kats, swearing, screeching, apple, pecking humans, nursery rhymes, Gilles Peterson Compilations, jazz and giallo. He is the oldest member of the team and is approx. 40 years of feather. He is the artistic and cultural manager.


Here is some wonderful art, enjoy.